Few weeks ago I published a new book about the kind of topic we deal with at the Near Future Laboratory: the disappearance of "big futures", design fictions, the role of science-fiction, etc. The book is only in French, but some of the interviews I've conducted when preparing it are in English (I translated some of them in the book itself). In the next few days, I'm going to publish this material here on the blog. Some interviews are pretty short, others are longer but they are quite insightful.
The first one features Warren Ellis, the English author of comics, novels, and television.
NN : If the future is dead, if we didn’t get the future that we were promised, it does not mean that the present, the here and now isn’t curious. In a talk you gave few years ago at Improving Reality in Brighton, you coined the term "sci-fi condition", what did you mean by that?
WE : I don’t know if I coined it, to be honest. But I think it’s important to look at the present moment with clear eyes and understand the wonder of a contemporary context where we can see the glass lakes of Titan and satellites orbiting the sun can report to our phones. Or even that several thousand years of developing communication technology means that I can type this right now and you’ll see it in seconds. We tend not to see it. We’re conditioned to see the present moment as "normal," with all the banality that implies. This is not a banal moment. It’s the sort of intense, chaotic moment, full of strange things, that we previously only found in science fiction. "Right now" feels like all of science fiction happening at once, and needs to be considered in that context -- that we’re living in that promised world of miracles and wonder, and that we’ve been trained by the culture not to see it.
NN : What kinds of situations/examples/technologies do you have in mind to refer to this awkward condition?
Sometimes it’s the things that seem simplest. Networked maps on phones. If you’re in the Western world and in a context of relatively low-level privilege, you will never be lost again. You could draw up your own list of things that would seem completely alien to someone from 1984. Or things that would simply seem science-fictional, like public internet kiosks.
NN : In this context, what’s the importance of science-fiction according to you?
WE : In lab-testing the potential pressures of all possible futures. And in universalising the poetry of science, which is the machinery of the world.